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RECENT RELEASE
   
Guild website
A new CD of chamber music for strings by Peter Fribbins has recently been released by Guild (GMCD 7343), featuring the Allegri String Quartet, the Angell Piano Trio, Raphael Wallfisch (cello), John York (piano) and James Campbell (clarinets).


(MUSICAL POINTERS: reviewing Guild CD 'I Have the Serpent Brought')

'a thoughtful composer who eschews the latest fads in favour of solid craftsmanship'
Musical Pointers, 2010


Buy this CD from the Guild website
 
 
Music Samples
from Peter's new CD
 
 
One of my main concerns is musical drama and expressive narrative structures, although not necessarily in a programmatic sense. I have often thought that composers of my generation inherit a rich musical legacy: we are neither constrained to be modernist nor post-modernist, to consistently avoid the diatonically tonal nor exclusively embrace it, but instead a myriad of musical styles of the past are available for plunder in a vast post-modernist palette. Clearly the tonal and harmonic drama of a modulation from tonic to dominant has been largely neutralised over the last 200 years, but another sort of drama can be created by contrasting different techniques. The potential for this is something I have consistently attempted to harness in my music: for instance the wild dissonances in the opening of Porphyria’s Lover are relieved by the warmth of the tonality that immediately follows (literally from the fire in the hearth of Browning’s poem).

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No doubt there are plenty of modernist features in my music: however at the same time I am drawn to the sense, logic and formal satisfaction to be gained through traditional structural gestures, shapes and forms.

The pacing of material and the location of certain musical events, sections or aesthetic areas in the musical narrative are an important consideration in my music, and I suppose is an instinctive link with the great music of the past.
   
Listen to music samples from Peter Fribbins' Sonata for Cello & Piano played by
Raphael Wallfisch (cello) and John York (piano)
Music samples
from movements
1st movement 1 2ndt movement 2 3rd movement 3
   
(Part1) Mine Dogantan Dack (piano) and Pal Banda (cello) perform Peter's duo '...that which echoes in eternity' (after lines from Dante’s Divine Comedy) at Kings Place, London on 15 March 2009.
   
(Part2) Mine Dogantan Dack (piano) and Pal Banda (cello) perform Peter's duo '...that which echoes in eternity' (after lines from Dante’s Divine Comedy) at Kings Place, London on 15 March 2009.
   
   
Links to further music samples and downloadable programme notes:
Play
Music Samples

mp3 : files
... or download

Programme Notes
         

Score Samples
   
'...that which echoes in eternity' PDF 64k
Piano Trio - see the first page
Clarinet Quintet - see the first page
Sonata - see the first page